December 05, 2007

Raymond Chandler Quote Of The Week: December 2-9, 2007

Raymond_chandler_2 The voice on the telephone seemed to be sharp and peremptory, but I didn't hear too well what it said -- partly because I was only half awake and partly because I was holding the receiver upside down. I fumbled it around and grunted.

"Did you hear me? I said it was Clyde Umney, the lawyer."

"Clyde Umney, the lawyer. I thought we had several of them."

"You're Marlowe, aren't you?"

"Yeah. I guess so." I looked at my wrist watch. It was 6:30 a.m., not my best hour.

"Don't get fresh with me, young man."

"Sorry, Mr. Umney. But I'm not a young man. I'm old, tired and full of no coffee. What can I do for you, sir?"

"I want you to meet the Super Chief at eight o'clock, identify a girl among the passengers, follow her until she checks in somewhere, and then report to me. Is that clear?"

"No."

"Why not?" he snapped.

"I don't know enough to be sure I could accept the case."

"I'm Clyde Um--"

"Don't," I interrupted. "I might get hysterical."

-- Playback, 1958

November 28, 2007

Raymond Chandler Quote Of The Week: November 25 - December 1, 2007

Raymond_chandlerThe music stopped, there was desultory clapping. The orchestra was deeply moved, and played another number. A dark-haired headwaiter who looked like a road company Herbert Marshall circulated among the tables offering his intimate smile and stopping here and there to polish an apple. Then he pulled out a chair and sat down opposite a big handsome Irish type character with gray in his hair and just enough of it. He seemed to be alone. He wore a dark dinner jacket with a maroon carnation in the lapel. He looked like a nice guy if you didn't crowd him.  At that distance and in that light I couldn't tell much more, except that if you did crowd him, you had better be big, fast, tough and in top condition.

-- Playback, 1958

November 21, 2007

Raymond Chandler Quote Of The Week: November 18-25, 2007

Raymond_chandler_2 "Her folks taken their time getting around to it -- looking for her," the women said thoughtfully.

"There's a little money involved. Not much. I guess they have to get her in order to touch it. Money sharpens the memory."

"So does liquor," the woman said. "Kind of hot today, ain't it? You said you was a copper though." Cunning eyes, steady attentive face. The feet in the man's slippers didn't move.

I held up the dead soldier and shook it. Then I threw it to one side and reached back on my hip for the pint of bond bourbon the Negro hotel clerk and I barely tapped. I held it out on my knee. The woman's eyes became fixed in an incredulous stare. Then suspicion climbed all over her face, like a kitten, but not so playful.

"You ain't no copper," she said softly. "No copper ever bought a drink of that stuff. What's the gag, mister?"

She blew her nose again, on one of the dirtiest handkerchiefs I ever saw. Her eyes stayed on the bottle. Suspicion fought with thirst, and thirst was winning. It always does.

--- Farewell, My Lovely, 1940

November 14, 2007

Raymond Chandler Quote Of The Week: November 11-17, 2007

Raymond_chandler The bell didn't work so I rapped on the wooden margin of the screen door. Slow steps shuffled and the door opened and I was looking into dimness at a blowsy woman who was blowing her nose as she opened the door. Her face was gray and puffy. She had weedy hair of that vague color which is neither brown nor blond, that hasn't enough life in it to be ginger, and isn't clean enough to be gray. Her body was thick in a shapeless outing flannel bathrobe many moons past color and design. It was just something around her body. Her toes were large and obvious in a pair of man's slippers of scuffed brown leather.

I said: "Mrs. Florian? Mrs. Jessie Florian""

"Uh-huh," the voice dragged itself out of her throat like a sick man getting out of bed.

-- Farewell, My Lovely, 1940

November 07, 2007

Raymond Chandler Quote Of The Week: November 5-10, 2007

The wind had risen and had a dry taut feeling, tossing the tops of trees, and making the swung arc light up the side street cast shadows like crawling lava. I turned the car and drove east again.

The hock shop was on Santa Monica, near Wilcox, a quiet old-fashioned little place, washed gently by the lapping waves of time. In the front window there was everything you could think of, from a set of trout flies in a thin wooden box to a portable organ, from a folding baby carriage to a portrait camera with a four-in lens, from a mother-of-pearl lorgnette in a faded plush case to a Single Action Frontier Colt, .44 caliber model they still make for Western peace officers whose grandfathers taught them how to file the trigger and shoot by fanning the hammer back.

I went into the shop and a bell jangled over my head and somebody shuffled and blew his nose far at the back and steps came. An old Jew in a tall black skull cap came along behind the counter, smiling at me over cut out glasses.

I got my tobacco pouch out, got the Brasher Doubloon out of that and laid it on the counter. The window in front was clear glass and I felt naked. No paneled cubicles with handcarved spittoons and doors that locked themselves as you closed them.

-- The High Window, 1942

October 03, 2007

Raymond Chandler Quote of the Week: Sept. 30- Oct. 6, 2007

Raymond_chandler_2 Breeze looked at me steadily. Then he sighed. Then he picked the glass up and tasted it and sighed again and shook his head sideways with a half smile; the way a man does when you give him a drink and he needs it very badly and it is just right and the first swallow is like a peek into a cleaner, sunnier, brighter world.

-- The Long Goodbye, 1953

September 26, 2007

Raymond Chandler Quote Of The Week -- Sept. 23-29, 2007

Raymond_chandler She wore a street dress of pale green wool and a small cock-eyed hat that hung on her ear like a butterfly. Her eyes were wide-set and there was thinking room between them. Their color was lapis-lazuli blue and the color of her hair was dusky red, like a fire under control but still dangerous. She was too tall to be cute. She wore plenty of make-up in the right places and the cigarette she was poking at me had a built-on mouthpiece about three inches long. She didn't look hard, but she looked as if she had heard all the answers and remembered the ones she thought she might be able to use sometime.

-- Trouble Is My Business, 1934

September 19, 2007

Raymond Chandler Quote of the Week: Sept. 16 - 22, 2007

Raymond_chandler Time to get back on the quote wagon with the hard-boiled master of the genre:

Anna Halsey was about two hundred and forty pounds of middle-aged putty-faced woman in a black tailor-made suit. Her eyes were shiny black shoe buttons, her cheeks were as soft as suet and about the same color. She was sitting behind a black glass desk that looked like Napoleon's tomb and she was smoking a cigarette in a black holder that was not quite as long as a rolled umbrella. She said: "I need a man."

I watched her shake ash from a cigarette to the shiny top of the desk where the flakes of it curled and crawled in the draft from an open window.

"I need a man good-looking enough to pick up a dame who has a sense of class, but he's got to be tough enough to swap punches with a power shovel. I need a guy who can act like a bar lizard and backchat with Fred Allen, only better, and get hit on the head with a beer truck and think some cutie in the leg-line topped him with a breadstick."

-- Trouble Is My Business, 1934

May 09, 2007

Raymond Chandler Quote Of The Week -- May 6-12, 2007

Next morning I got up late on account of the big fee I had earned the night before. I drank an extra cup of coffee, smoked an extra cigarette, ate an extra slice of Canadian bacon, and for the three hundredth time I swore I would never again use an electric razor. That made the day normal.    

        -- The Long Goodbye, 1953

May 02, 2007

Raymond Chandler Quote Of The Week -- April 29 - May 5, 2007

Raymond_chandler The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn't have any clothes on but some very long and convenient hair. The knight had pushed the vizor on his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere.

I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn't seem to be really trying.

-- The Big Sleep, 1939


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